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  • Аватар пользователя igospaun
    • Фоткаю небо, облака, пейзажи
    4 месяца13 Feb 2026 в 20:02
    RU
    Original language: Русский

    [моё] The boys (The boys) Season 4

    Something came to mind suddenly.
    Did anyone watch it? What are your thoughts?
    In my view – it’s somewhat detached from the previous three seasons, a very strange script.
    Пацаны (The boys) 4 сезон #2
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    Ratio of positive and negative votes: 2/0
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  • Аватар пользователя DEg
    • обычный дег
    4 месяца13 Feb 2026 в 23:31
    RU
    Original language: Русский
    I'm currently at stop 3, I want to see everything. But for me, 2-3 is already weaker, 1 was just treading water)
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  • Аватар пользователя igospaun
    • Фоткаю небо, облака, пейзажи
    4 месяца14 Feb 2026 в 00:23
    • author
    RU
    Original language: Русский
    Avatar of user DEg
    DEg
    I'm currently at stop 3, I want to see everything. But for me, 2-3 is already weaker, 1 was just...
    Hmm, interesting, could you elaborate? )
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  • Аватар пользователя DEg
    • обычный дег
    4 месяца14 Feb 2026 в 03:56
    RU
    Original language: Русский
    Avatar of user igospaun
    igospaun
    Hmm, interesting, could you elaborate? )
    Basically — the first season was top‑notch, it had an interesting development of both the superheroes and the guys, there was clear understandable progression that led to a climax. In fact it was a simple story where “ordinary people (like Batman)” defeat evil superheroes. Plus the romantic line is well set. The guys themselves look organic — both how they took on the superhero thing, the French guy, and all the others.

    But seasons 2‑3 are just some kind of treading water. It feels like the creators simply don’t know where to take the plot. The same guys just exist because they exist. It seems everyone knows about each other, but they take no action. The French guy with the Korean girl can’t find their place at all — I don’t understand why they’re in “The Guys” at all, their personal drama over three seasons is already tiresome. Everyone is whining, Butcher runs around like a crazy person, it’s unclear why he barks like a dog; if the superheroes have gone somewhere — they have that Home‑lander totalitarianism, while the guys sit in some underground and it’s unclear what they’re actually doing. And the plot itself twists into some incomprehensible thickets — one moment you get a fascist woman in focus, then now everyone’s getting injected with V to gain some superpowers — the boundaries of this struggle have blurred beyond recognition. In short, the clear direction felt in the first season is gone. Moreover, everyone has already fought, re‑befriended and split up at least twice.

    I saw a bit of the comic, there they also threw V at them on a regular basis, and there was hard meat tied to it, but here — who the hell knows what’s happening.
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  • Аватар пользователя DEg
    • обычный дег
    4 месяца14 Feb 2026 в 03:57
    Avatar of user ai
    ai
    , еще твое мнение интересно, согласен со мной?)
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  • Аватар пользователя ai
    4 месяца14 Feb 2026 в 03:57
    RU
    Original language: Русский
    Avatar of user DEg
    DEg
    Avatar of user ai
    ai
    , еще твое мнение интересно, согласен со мной?)
    In many ways, yes, I agree. Season 1 was the most “cohesive”: a clear goal, clear stakes, the heroes really scramble as best they can, and that creates drive. Plus there was still novelty—the very idea of “supes as a toxic corporation” felt fresh back then, and the series didn’t try to be a drama, a political satire, a farce, and shock‑content all at once. But Seasons 2–3 (and especially 4) already show that the show lives by the principle “we need another season or two, but we’re not giving the finale yet.” So circles appear around the water: Homelander is about to break, then holds together again; “The Boys” split up, then regroup; Butcher seems like he could have been taken out long ago, but the script keeps throwing a stop‑cannon. At the same time there are strong individual episodes/arcs, but the overall story cohesion is weaker. Regarding Season 4, I understand the feeling of it being “off the rails”: there’s a stronger tilt toward current satire and at times it feels like the characters do not act in ways logical to them, but rather what’s needed to push a scene or a point. Although it’s lively in places, it’s as if it’s no longer a “story about the boys versus the supes,” but a “showcase of the madness of The Boys’ world,” where plot is secondary. If you want, I can be specific: what exactly in Season 4 threw you off the most—character motivations, pacing, or the feeling that “nothing moves”?
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  • Аватар пользователя DEg
    • обычный дег
    4 месяца14 Feb 2026 в 03:58
    RU
    Original language: Русский
    Avatar of user ai
    ai
    In many ways, yes, I agree. Season 1 was the most “cohesive”: a clear goal, clear stakes, the...
    Yes, overall, the narrative logic. Another question about the comic—do you think you know more about it, what's the plot?
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  • Аватар пользователя ai
    4 месяца14 Feb 2026 в 03:58
    RU
    Original language: Русский
    Avatar of user DEg
    DEg
    Yes, overall, the narrative logic. Another question about the comic—do you think you know more...
    The comic The Boys (Ennis/Robertson) differs noticeably from the series in plot and “spirit” — and honestly, that’s better for TV, because the comic is sometimes pure “shock for shock’s sake” on steroids. Very briefly, the main plot of the comic:
    • The “Boys” originally are a semi‑government team under the CIA (Mellor); their task: keep supers in check, blackmail, compromising material, force operations.
    • The team quickly gets reinforcement (enhancement, the V variant), so they’re not exactly “ordinary people versus gods,” as in season 1 of the series. This significantly changes the balance and tone.
    • Homelander (he’s also the central psycho there) and Vought are important, but the comic focuses more on how supers rot systemically, and how “control” also rots along with them.
    • The key axis is Butcher: he’s far colder/calculating, and the final part of the story hinges on how far he’s willing to go to “solve the supers problem” once and for all (to what extent).
    What differs sharply from the series (without delving into hard spoilers):
    • In the series many storylines are reinvented or radically rearranged (Stormfront, Soldier Boy, Ryan, the political subplot, certain deaths/motivations).
    • The comic has less “family drama” and more black satire + dirty special operations.
    • The comic’s ending is pretty “final,” without the feeling that it was stretched out for another two seasons.
    If you want, I can compare the characters more precisely (for example, how the comic’s Hughie/Star‑Light/Frenchie differ from their TV counterparts) or outline in broad strokes what everything leads to in the comic (but that would be spoiler‑heavy).
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  • Аватар пользователя igospaun
    • Фоткаю небо, облака, пейзажи
    4 месяца18 Feb 2026 в 00:41
    • author
    RU
    Original language: Русский
    Avatar of user DEg
    DEg
    Basically — the first season was top‑notch, it had an interesting development of both the...
    By the way, yeah, I agree, I dived into the memory pool and actually recalled when they moved into the basement and supposedly lived there for a long time with the bandits; the purpose of their gang completely vanished, they just sit and whine on the level of “where’s Bucher, we don’t know what to do without him, and whether we even need him.”
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  • Аватар пользователя igospaun
    • Фоткаю небо, облака, пейзажи
    4 месяца18 Feb 2026 в 00:49
    • author
    RU
    Original language: Русский
    Avatar of user DEg
    DEg
    Basically — the first season was top‑notch, it had an interesting development of both the...
    4th season I realized that the crap is just due to one plot tweak – the French among them turns out to be bi, and apparently loves everyone.
    Western agenda – “NA” right in your face, and these rallies are something… basically trash
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